TEST Programme Notes TEST

BFI Southbank

The Fighter

SPOILER WARNING The following notes give away some of the plot. Inspired by an incredible true story, comes the gritty, affectionately humorous, yet stirring comeback tale of the unlikely boxing h...

Million Dollar Baby

SPOILER WARNING The following notes give away some of the plot. ‘It isn’t really a boxing story,’ Clint Eastwood has remarked about his new film. But then, when are boxing films ever just about th...

A Hard Day's Night

+ intro by broadcaster Samira Ahmed Shot in a documentary style inspired by the French New Wave, the Beatles’ first feature film captured Britain at a moment of social transformation, with a portr...

Fearless

SPOILER WARNING The following notes give away some of the plot. The conventions of the air-disaster movie are well established. First we’re introduced to a stock company of passengers and crew (ne...

Ed Wood

Only in America: Tim Burton, one of the most bankable filmmakers who ever lived, expends the credit of his success in sincere, black-and-white tribute to the obscure, tawdry vision of Edward D. Woo...

Ali

Chicago 1964. Soul singer Sam Cooke is belting out an ecstatic medley of his most popular songs to an excited crowd in a nightclub; outside, the young boxer then known as Cassius Clay is doing road...

The Year of Living Dangerously

SPOILER WARNING The following notes give away some of the plot. Peter Weir has always been a filmmaker in the grand manner. In retrospect, this was clear as early as The Cars That Ate Paris, where...

When We Were Kings

Leon Gast’s 23-year odyssey in bringing When We Were Kings to the screen, and his fortuitous teaming with David Sonenberg, is a story with as many surprise turns as the events the movie documented....

The Boxer

The screening on Tuesday 14 April will include a Q&A with boxer Barry McGuigan Whether they are stories of ferociously driven fighters who lose all sense of moral perspective in their drive t...

The Truman Show

Film critics and preview audiences occasionally experience something extraordinary: they get to see a film absolutely cold, before it is written about, discussed, excerpted and trailered into ubiqui...

Hold Me While I’m Naked, George Kuchar!

The incredible George Kuchar mixed with the cream of the American avant-garde while taking his inspiration from melodramas and B-movies. His camp, cheap films create feelings of joy, inclusivity, a...

TwentyFourSeven

There is an extraordinary moment half way through Shane Meadows’ TwentyFourSeven. Darcy (Bob Hoskins), the thickset trainer at the boxing club, dresses up in a smart suit and takes his elderly aunt...

Sins of the Fleshapoids

One million years into the future, human-looking androids known as Fleshapoids break into revolt when their masters become too lazy to service their needs and desires. A whole other universe is unc...

Blood Feast

Violence, mayhem and murder most foul are the meat and gravy of American cinema, but if one man can be said to have added the ketchup it was Chicago-based filmmaker Herschell Gordon Lewis, originat...

The Last Wave

Peter Weir on ‘The Last Wave’ David Gulpilil, the young aboriginal star, is familiar to American audiences as the star of Nicolas Roeg’s Walkabout . How did you come to use him? It’s very difficu...

The Garden

This film was such an inspiration to me when I first saw it. It has a lot to do with what was coming out of the speakers. So much of it is shot silently on Super 8, so the sound had to be created f...

Witness

When you get down to it, all Peter Weir’s films have been horror movies in disguise. Like the Harkers (Jonathan and Mina), Weir’s heroes have been simultaneously mesmerised and repelled by their va...

Multiple Maniacs

It’s no accident that Multiple Maniacs opens with a carnival barker. Transgressive spectacle is the name of the game in John Waters’s first feature-length talkie – though it’s curious to note, almo...

Amélie

The French icon of 2001 is a small, slim young woman with bobbed hair and girlish clothes. Her name is Amélie Poulain. Played by the delightful Audrey Tautou, she is the heroine of France’s latest ...

Trash

At first sight Trash is unmistakably a very good film; re-seen, it has sections at least when it looks like a great film. What it takes on along the way is subtlety and density; far from being impr...