TEST Programme Notes TEST

BFI Southbank

Fatherland

After denouncing the Nazi regime, Nobel Prize-winning author Thomas Mann spends years living in Switzerland and the United States. In 1949, he embarks on a road trip from Allied West Germany to Sov...

Bamako

Abderrahmane Sissako’s Bamako examines the ways globalisation has contributed to a process of effectively recolonising Africa through the snares of western financial institutions. A fictional docud...

The Intruder

The peculiarity of The Intruder in Roger Corman’s career has been remarked on both before and after the event. In Sight & Sound, Summer 1963, the columnist Arkadin, in a piece signalling the de...

Babymother

Stuart Hall on ‘Babymother’ Despite the much-acclaimed British cinema renaissance, Black British films are still rarer than gold dust. Babymother, the new ‘reggae musical’ from Formation Films, cour...

Ken Russell’s The Devils

Inspired by the true story of 17th-century priest Urbain Grandier, accused of bewitching a convent of nuns, The Devils lays bare the collusion of church and state through a searing vision of religi...

The Wild Angels

SPOILER WARNING The following notes give away some of the plot. A contemporary review It’s now ten years since Dick Miller accidentally stuck a knife through the cat in his bedroom wall and conver...

Still a Brother - Inside the Negro Middle Class

+ intro by Matthew Barrington, curator of film at the Barbican Centre Shooting outside the box: William Greaves in ten films Cinema history is full of those whose long careers have become footnote...

The Masque of the Red Death

SPOILER WARNING The following notes give away some of the plot. The Masque of the Red Death, Roger Corman’s first British film, shared a double bill with X-Ray Eyes and conclusively silenced any d...

24 Hour Party People

There can be few more defunct currencies in cinema than nostalgia. Films that trade in the past without yearning for its unreachable pleasures are so rare that when one does arrive, it may feel as ...

The Girl Cut in Two

Claude Chabrol on ‘The Girl Cut in Two’ ‘A chaste film about perversion’ is Claude Chabrol’s description of his slyly amusing melodrama The Girl Cut in Two. His 56th feature tells the story of Gab...

The Bridesmaid

Claude Chabrol on ‘The Bridesmaid’ Your thrillers are always totally distinctive. How do you explain that? Generally, in thrillers, it’s the plot that keeps things moving. In my films, that’s not...

Pretty in Pink

Producer and writer John Hughes’ bittersweet tale, with a soundtrack that includes tracks by The Psychedelic Furs, New Order, Echo & the Bunnymen, INXS, Suzanne Vega and Orchestral Manoeuvres i...

La Cérémonie

SPOILER WARNING The following notes give away some of the plot. In recent years, Claude Chabrol’s films with the actress Isabelle Huppert have epitomised the best and worst of his work. Une affair...

King Rat

+ intro by Sarah Standing, Bryan Forbes’ daughter Bryan Forbes on ‘King Rat’ For an English director to make a film in Hollywood is a little like playing a Cup Final on an away ground. But everyon...

Shame

Steve McQueen on ‘Shame’ Where do you think the tipping point is between someone who is merely sexually promiscuous and somebody who is sexually addicted? When I first heard about the idea of sex...

Paris Is Burning

Nearly 40 years after the release of Paris Is Burning (1990), Jennie Livingston’s beloved documentary exploring the LGBTQ+ underworld of New York’s ball culture, its reputation is stronger than eve...

Queen at Sea

It’s not a theme to make audiences comfortable – nor filmmakers, nor actors. It takes seriousness, and nerves of steel, to attempt substantial dramas about old age and infirmity, especially about d...

Violette Nozière

‘I fell in love with Violette Nozière’ by Claude Chabrol One night in 1933, a girl of 18 began a long odyssey through the Bois de Vincennes in a bus. This was Violette Nozière. Until this night she...

Eden

SPOILER WARNING The following notes give away some of the plot. Mia Hansen-Løve’s elegiac descriptions of the ephemeral, will-o’-the-wisp experience of girlhood have earned her comparisons with So...

Repo Man

Hugely divergent in tone, yet both made by exiled Europeans with an outsider’s perspective on their American location and featuring Robby Müller’s elegant cinematography, Repo Man and Paris, Texas ...