BFI Southbank Programme Notes

My Father's Shadow

+ intro by film programmer Ademola Bello Akinola Davies Jr on ‘My Father’s Shadow’ Akinola Davies Jr’s tender, tactile debut about a spectral father figure has sparked comparisons to Aftersun (202...

February 18, 2026 | Seniors Paid Matinee

Rough Treatment

Andrzej Wajda on ‘Rough Treatment’ Rough Treatment is a departure from your previous work, a far cry from the dramatic current of post-mortems on history. It also differs in style and tone. Where ...

February 17, 2026 | Andrzej Wajda
Portraits of History and Humanity

Man of Marble

In its review of the time, the New York Times called Andrzej Wajda’s Man of Marble ‘a Polish-style Citizen Kane’. On the face of it, this was an absurd comparison. One film was about a Polish brick...

February 16, 2026 | Andrzej Wajda
Portraits of History and Humanity

Best in Show

The idea for Best in Show was born during a trip writer/director Christopher Guest took six years ago to his local dog park to exercise his own two dogs. ‘There were people there with pure-bred dog...

February 16, 2026 | Big Screen Classics

The Garden of Eden

+ intro by Bryony Dixon, Curator, BFI National Archive A film of and about deceptive appearances, The Garden of Eden starts as a Viennese drama but soon morphs into a Riviera comedy. Its script wa...

February 15, 2026 | Silent Cinema

Mississippi Masala

Following the critical and box-office success of her 1988 debut feature, Salaam Bombay! – at the time one of the highest-grossing exports in Indian film history – director Mira Nair chose for her n...

February 14, 2026 | Valentine’s Day
35th Anniversary Screening

K-19 - The Widowmaker

According to director/producer Kathryn Bigelow, the story of what happened to K-19 and her crew had everything an action-thriller needed built right into the actual events as they took place during...

February 13, 2026 | Close to the Edge
The Films of Kathryn Bigelow

Jaws

Steven Soderbergh on ‘Jaws’ What I love about watching Jaws now is that for all the technology that exists, which didn’t exist 50 years ago, there’s nothing new that’s been invented that makes movi...

February 13, 2026 | Big Screen Classics

The Hurt Locker

Jeremy Renner plays Sergeant First Class William James, a loose-cannon explosive ordnance disposal expert, whose unorthodox approach to his job in the second Iraq War unsettles his colleagues. Bige...

February 10, 2026 | Close to the Edge
The Films of Kathryn Bigelow

Daniel Farson

+ intro by Matthew Sweet While only a relatively small number survive, it is estimated that Daniel Farson made more than a hundred television items between 1957 and 1964. It is little wonder, then...

February 9, 2026 | Events

The Wedding

A contemporary review In Poland the play by Stanislaw Wyspianski is familiar territory. The Wedding reconstructs a marriage which actually took place in 1900 at the village of Bronowice on Poland’s...

February 8, 2026 | Andrzej Wajda
Portraits of History and Humanity

Far from the Madding Crowd

‘A compelling examination of a woman navigating the constructive and destructive consequences of love, all framed against the beauty of an English countryside freighted with yearning and pathos.’ –...

February 8, 2026 | Member Picks

The Fall of Otrar

+ intro by writer Daniel Bird The origins of The Fall of Otrar can be traced back to the Kazakh screenwriter Zauresh Yergaliyeva. According to Yergaliyeva, in the sixth grade she came across Ermuk...

February 8, 2026 | Restored

The Birds

In his technically most difficult film, The Birds, Alfred Hitchcock directly addresses the theme of destructive, rapacious nature that was always implicit in his fascination with crime. Federico Fe...

February 8, 2026 | Big Screen Classics

Blue Steel

Kathryn Bigelow: With Blue Steel I wanted to do a ‘woman’s action film’, putting a woman at the centre of a movie predominantly occupied by men. When women go to see Lethal Weapon, many of them wil...

February 7, 2026 | Close to the Edge
The Films of Kathryn Bigelow

The Ashes

Not to be confused with Ashes and Diamonds (1958), The Ashes was adapted from Stefan Zeromski’s 1904 novel, and conceived on a massive scale. The action spans the period 1797 to 1812, including the...

February 7, 2026 | Andrzej Wajda
Portraits of History and Humanity

Everything for Sale

In Everything for Sale Andrzej Wajda has triumphantly forged the link between art and reality and, as he prophesied, the process was far from simple. The catalyst seems quintessential both of Wajda...

February 6, 2026 | Andrzej Wajda
Portraits of History and Humanity

The Maids of Wilko

The screening on Thursday 5 February will include a Q&A with Oscar-winning production designer Allan Starski and costume designer Wiesława Starska Between Man of Iron and Danton, Wajda announ...

February 5, 2026 | Andrzej Wajda
Portraits of History and Humanity

A Fish Called Wanda

John Cleese on ‘A Fish Called Wanda’ and director Charles Crichton In the late 1960s, Graham Chapman and I wrote a script for David Frost. It was about a small firm of private detectives and was ca...

February 4, 2026 | Big Screen Classics

Near Dark

In 1988, the Museum of Modern Art (MOMA) in New York City singled out independent horror film Near Dark, made by up-and-coming director Kathryn Bigelow, for special attention. Recognising the film’...

February 3, 2026 | Close to the Edge
The Films of Kathryn Bigelow

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