TEST Programme Notes TEST

BFI Southbank

Uncle Silas

Uncle Silas and Maud Ruthyn first appeared in 1864 as a serial in the Dublin University Magazine, before being published in three volumes as Uncle Silas: A Tale of Bartram-Haugh. The author, Joseph...

September 14, 2024 | MARTIN SCORSESE SELECTS HIDDEN GEMS OF BRITISH CINEMA

Hue and Cry

In the forties, before the establishment of the specialist Children’s Film Foundation, the commercial arm of the British film industry still sometimes made films especially for children, and Hue an...

September 14, 2024 | MARTIN SCORSESE SELECTS HIDDEN GEMS OF BRITISH CINEMA

White Lady + Children of the Stones

A woman in white holds a scythe and watches over a father repairing his rural home with his two daughters. I love White Lady – not just for its symbolic storytelling and rural setting, but for its ...

September 13, 2024 | ROOTS, RITUALS AND PHANTASMAGORIA

A Warning to the Curious + Baby

When you’re in the mood, there’s nothing quite like a 1970s British ‘curiosity killed the cat’ creeper. Don’t mess with weird effigies and cursed relics buried in the ground or walls of your new ho...

September 13, 2024 | ROOTS, RITUALS AND PHANTASMAGORIA

My Favourite Cake

Writers/Directors Maryam Moghaddam and Behtash Sanaeeha on ‘My Favourite Cake’ This charming and quietly subversive tale from Iran delivers on all levels. Lonely Mahin is 70 and struggling. Her hu...

September 13, 2024 | NEW RELEASES

Eraserhead

In his first film, Eraserhead, David Lynch created a world from which everything has been stripped away except for the anxiety at its heart. Henry Spencer tramps numbly across a ruined industrial l...

September 13, 2024 | ROOTS, RITUALS AND PHANTASMAGORIA

Hunger

Steve McQueen on ‘Hunger’ Why did you want to tell the story of Bobby Sands and the republican hunger strike? It happened in 1981 when I was 11 years old, and it had a big effect on me. It was a t...

September 12, 2024 | BIG SCREEN CLASSICS

Melvyn Bragg
Broadcasting the Arts

Over the course of an incredible 60-year broadcasting career, Melvyn Bragg has unfailingly championed the arts on television. More than this, he has revolutionised the way the arts are presented an...

September 12, 2024 | EVENTS

Mary and Max

Adam Elliot on ‘Mary and Max’ Mary and Max is my fourth clayography, and up to now, each of my films has explored the life of a singular person. With Mary and Max, I explore two simultaneous biogra...

September 11, 2024 | STOP MOTION
CELEBRATING HANDMADE ANIMATION ON THE BIG SCREEN

Farewell China

Clara Law’s film is a dark and harrowing depiction of the immigrant experience. Cheung portrays Li Hung, a woman who emigrates to New York, leaving her husband Zhou behind in rural China. Although ...

September 11, 2024 | MAGGIE CHEUNG
FILMS OF ROMANCE, MELANCHOLY AND MAGIC

Don't Look Now

Nicolas Roeg on ‘Don’t Look Now’ To what extent was Don’t Look Now your own choice? A publicity handout says it was Peter Katz, the producer, who thought Daphne du Maurier’s story would make a good...

September 10, 2024 | BIG SCREEN CLASSICS

Carnival

+ intro by Josephine Botting, Curator, BFI National Archive To mark 25 years since the death of British screen superstar Dorothy ‘Chili’ Bouchier, we present a rare outing of this archive print wi...

September 10, 2024 | PROJECTING THE ARCHIVE

Nightsleeper

+ Q&A with actors Alexandra Roach and Joe Cole, writer Nick Leather and executive producer Kate Harwood Nightsleeper is a real-time thriller for BBC iPlayer and BBC One. Created by BAFTA-winni...

September 9, 2024 | TV PREVIEW

Irma Vep

Shot in four weeks on a minuscule budget and written by director Olivier Assayas for the Hong Kong action star Maggie Cheung, Irma Vep explodes like a firework over its thematic terrain: a mourning...

September 9, 2024 | MAGGIE CHEUNG
FILMS OF ROMANCE, MELANCHOLY AND MAGIC

Rio Bravo

Hawks’ acclaimed chamber western is at once defiantly idiosyncratic (complete with wordless prologue and musical interlude), leisurely in pace, and engrossing throughout, peppered with suspenseful ...

September 8, 2024 | BIG SCREEN CLASSICS

Green for Danger

Eight years after The Gaunt Stranger, Sidney Gilliat once more did battle with a whodunit in this terse, wry thriller taken from a novel by Christianna Brand. Brand’s Inspector Cockrill investigate...

September 8, 2024 | MARTIN SCORSESE SELECTS HIDDEN GEMS OF BRITISH CINEMA

Song of the Exile

In her semi-autobiographical film, Ann Hui casts Cheung as Hueyin, an aspiring journalist living in London who is called back to Hong Kong to attend her sister’s wedding. Reunited with her family, ...

September 7, 2024 | MAGGIE CHEUNG
FILMS OF ROMANCE, MELANCHOLY AND MAGIC

Anomalisa

As motivational writer and speaker Michael Stone spends time in his hotel room while on tour, he dwells on the emotional distance he feels towards everyone. He befriends a woman named Lisa at the h...

September 7, 2024 | STOP MOTION
CELEBRATING HANDMADE ANIMATION ON THE BIG SCREEN

The Island
with live accompaniment by
the Balanescu Ensemble

+ Q&A with director Anca Damian and composer Alexander Balanescu A subversive take on Robinson Crusoe, Anca Damian’s film introduces us to an exile on an island who finds common ground with a ...

September 6, 2024 | SONIC

Black Narcissus

Powell and Pressburger’s delirious melodrama is one of the most erotic films ever to emerge from British cinema, let alone in the repressed 1940s – it was released just two years after David Lean’s...

September 6, 2024 | BIG SCREEN CLASSICS

FEATURED TAGS
Drama Comedy Animation Horror Thriller Adventure Documentary Fantasy Period Sci-Fi Crime Romance War Western Film Noir Musical Talk Action Biopic Satire Silent Children Essay Films Melodrama Music Mystery TALK Talks