TEST Programme Notes TEST

BFI Southbank

Breaking the Waves

Lars von Trier on ‘Breaking the Waves’ Breaking the Waves has taken five years and four million pounds to realise. Where did the original idea for the film come from? I prefer to work with unassa...

Titicut Follies

How does Titicut Follies stand up today? Its effect is still devastating. Were the film a muck-raking exposé, it might now seem merely a dated document. But Wiseman is beyond self-righteous anger o...

Spring in a Small Town

Fei Mu is considered part of the Second Generation of Chinese filmmakers, memorably captured in Centre Stage (aka Ruan Lingyu, 1991), Stanley Kwan’s biopic of actress Ruan Lingyu. The Second Genera...

Remembering Terence Davies

We are pleased to announce Mark Kermode will be joined by actors Debi Jones and Ann Mitchell, cinematographer Florian Hoffmeister, producers Sol Papadopoulos, Roy Boulter and Sean O’Connor, writer ...

The Bitter Tears of Petra von Kant

A celebrated fashion designer plunges into desperate isolation when the object of her affections, a beautiful yet flighty ingenue, fails to return her devotion. A gender-flipped and painfully vulne...

The Neon Bible

SPOILER WARNING The following notes give away some of the plot. A contemporary review No director – probably not even Quentin Tarantino – is more thoroughly saturated in popular culture than Teren...

The House of Mirth

Terence Davies on ‘The House of Mirth’ How did the idea for The House of Mirth originate? I first read the novel about 15 years ago. And then about five years ago I went to Channel 4 – David Auki...

Crooklyn

In an article for Sight and Sound, cultural theorist bell hooks famously referred to Crooklyn as a failure of ‘counter-hegemonic representation’. Originally pitched to mainstream audiences as a fam...

Camila

SPOILER WARNING The following notes give away the film’s ending. A contemporary review Camila gains much of its power from the circumstances of its production. Its story of a tragic love affair be...

The Terence Davies Trilogy

The screening on Tuesday 21 October will be introduced by season curator Ben Roberts In 1977, as new students at the National Film School, the first thing we had to do was watch one another’s fil...

Enamorada

We’re delighted to confirm this screening will be of the BFI Archive’s brand new 35mm print made with funding from the National Lottery and the additional support of donors to our Keep Film on Film...

7th Heaven

The screening at the [2018] BFI London Film Festival of Frank Borzage’s 1927 masterpiece 7th Heaven in a new restoration was cause for rejoicing. But Borzage, who directed movies from 1913 to the e...

The Counsellor

SPOILER WARNING The following notes give away the film’s ending. As Chekhov famously remarked, ‘If in the first act you have hung a pistol on the wall, then in the following one it should be fired...

The Last Duel

A concern for truth lies at the heart of Sir Ridley Scott’s new epic film The Last Duel and it follows a thin red line connecting all his period films from The Duellists (1977) to Robin Hood (2010)...

Missing Believed Wiped
Associated-Rediffusion Special

Studio 5 The opening of Associated-Rediffusion’s Studio 5 was a BIG deal. So big that the opening itself was televised and we were given a guided tour of the studio and a look at the rehearsals for...

Ready Steady Go!

In the early 1960s, as pop music became the vanguard of a newly developing and revolutionary artistic and cultural movement, television producers began to tackle the task of inventing a format to c...

The Ice Storm

With its spare, circular story line, the ability to crystallise so much of what it is about in its visuals, and an exceptional cast delivering the most precise of spoken lines, The Ice Storm is cin...

Captive Cinema

+ intro by Lisa Kerrigan, Senior Curator of Television Shaking up the world of TV documentary, the features department of Associated-Rediffusion was the subject of the first TV season at the Natio...

Drama 3 - The Classics at Associated-Rediffusion

As an original ITV company, in the early years Associated-Rediffusion mined the classical theatre canon for many of its TV dramas. It has left us a fascinating historical legacy, acclaimed 1960s ac...

Matchstick Men

‘People are fascinated with con men like they’re fascinated with mobsters – at least the fictional kind,’ says novelist Eric Garcia, whose manuscript for Matchstick Men was being considered for the...