TEST Programme Notes TEST

BFI Southbank

In Camera

This bold and delightfully unpredictable portrait from Naqqash Khalid both highlights and critiques the challenges of navigating the UK film industry as a British Asian actor. Aden, a struggling ac...

Do the Right Thing

During the hottest day of the year, Mookie (Lee) travels around his predominantly black Brooklyn neighbourhood making deliveries for the local pizzeria run by Italian American Sal (Aiello). As the ...

Robin Redbreast

After being dumped by her partner, Norah moves to the countryside and falls for a local gamekeeper, with dire consequences. This is a perfect case study of the city-slicker moving to the country an...

Rear Window

Refocusing the Spectator: a comparison of the critical response to ‘Rear Window’ in 1954 and on its re-release in 1983 When Rear Window was first released in 1954, Hitchcock’s authorial mark was s...

Little Otík

+ intro by musician and Starve Acre composer Matthew Herbert (Wednesday 4 September only) Jan Svankmajer on ‘Little Otík’ Little Otík is based on a folk tale best known from the version by K.J. Er...

Alice

Although a declared admirer of Lewis Carroll as the inadvertent pioneer of surrealism, Jan Svankmajer firmly tells the Alice story his own way, much as one would expect. Like an extended reconstruc...

A Fishy Story

Cheung stars as an aspiring actress who befriends her neighbour, a struggling unlicensed cab driver. Set against the backdrop of the 1967 riots, it is a turbulent yet playful and romantic Breakfast...

Les Demoiselles de Rochefort

The screening on Wednesday 2 October will be introduced by film and talks programmer and writer Nadia M. Oliva. With a plot of pure Shakespearean farce, witty dialogue and lyrics by Demy, and a ma...

The Rebel

Ray Galton and Alan Simpson on Hancock’s ‘The Rebel’ When did you first meet Tony Hancock? We first met Tony Hancock in the stalls of the Paris Cinema, Lower Regent Street, in October 1951, during...

The Piano

SPOILER WARNING The following notes give away some of the plot. For a while I could not think, let alone write, about The Piano without shaking. Precipitating a flood of feelings, The Piano deman...

Dead of Night

Horror films or stories of the supernatural were little attempted in British cinema prior to the days of Hammer in the 1950s. There are the exceptions of course, such as The Ghoul (1933) and Dark E...

Shooting Stars

‘Not until Peeping Tom (1960) over 30 years later did a British film so knowingly and so effectively turn its own camera on itself. It is a young man’s film, the first effort of someone representat...

Lee

+ Q&A with Kate Winslet hosted by broadcaster Anna Smith. Elizabeth ‘Lee’ Miller, born in 1907 in Poughkeepsie, New York was, as Kate Winslet explains, ‘An unstoppable force of nature with a t...

The Draughtsman’s Contract

Peter Greenaway on ‘The Draughtsman’s Contract’ The Draughtsman’s Contract. A film that is 40 years old. Made in 1982 about events in 1694. Elaborate, stylised, enjoyable, spiteful and mysterious, ...

Dougal and the Blue Cat

The arrival of Buxton the Blue Cat throws Dougal, Florence and friends into turmoil. His desire for control and obsession with Blue sees Buxton become increasingly powerful, proclaiming that everyt...

Sing Sing

Filmmakers Greg Kwedar and Clint Bentley began their careers together in the early 2010s, having met after graduating from university and finding they shared similar interests in telling stories of...

Starve Acre

+ Q&A with director Daniel Kokotajlo and actors Morfydd Clark and Robert Emms Daniel Kokotajlo on ‘Starve Acre’ What first drew you to Andrew Michael Hurley’s novella? I like Andrew’s affini...

Who in da Mornin

We are delighted that the director of Who in da Mornin , Jonathan Isaac Jackson, will introduce this screening and attend a Q&A. We are also very pleased to announce that Mario Gousse will joi...

The Turin Horse

A contemporary review The inevitable question confronting any artist of stature as the twilight years close in: will the inspiration fade away; and if so when? And concomitantly: should I call time...

D.E.B.S.

+ panel discussion and Zoom Q&A with director Angela Robinson Amy is a top student at the D.E.B.S. academy for elite spies in training, but when tasked with taking down notorious supervillain ...